redo citations

paper/iclc/iclc2023.md

@@ -26,7 +26,7 @@ implementation of the TidalCycles (or 'Tidal' for short) live coding
 system. Whereas Tidal is implemented in the pure functional Haskell programming language, Strudel brings it to the multi-paradigm, web-centric JavaScript language. Strudel is an
 attempt to make live coding more accessible, by creating a system that
 can run entirely in the browser, while opening Tidal's approach to
-algorithmic patterns [@mcleanAlgorithmicPattern2020a] up to modern
+algorithmic patterns [@mcleanAlgorithmicPattern2020] up to modern
 audio/visual web technologies. The Strudel REPL is a live code editor
 dedicated to manipulating patterns while they play, with builtin
 visual feedback. While Strudel is written in standard JavaScript, it does support some optimisations for simplicity, readability and editability by applying code
@@ -39,9 +39,9 @@ applications. Apart from TidalCycles, Strudel draws inspiration from
 several other existing projects like TidalVortex
 [@mcleanTidalVortexZero2022], Gibber [@robertsGibberLiveCoding2012],
 Estuary [@ogbornEstuaryBrowserbasedCollaborative2017], Hydra
-[@jackHydra2022], Ocarina [@solomonPurescriptocarina2022] and
+[@jackHydra2023], Ocarina [@solomonPurescriptocarina2022] and
 Feedforward [@mcleanFeedforward2020]. This paper builds upon a 
-demo paper presented at Web Audio Conference 2022 [@StrudelWAC2022].
+demo paper presented at Web Audio Conference 2022 [@roosStrudelAlgorithmicPatterns2022].
 
 The first tentative commit to the Strudel project was on 22nd January
 2022 by Alex McLean, with the core representation implemented over the
@@ -180,11 +180,11 @@ While the Web Audio API takes a *fire-and-forget* approach, creating a lot of To
 
 Strudel's new default output uses the Web Audio API to create a new audio graph for each event. It currently supports basic oscillators, sample playback, various effects and an experimental support for soundfonts.
 
-WebDirt [@ogbornDktr0WebDirt2022] was created as part of the Estuary Live Coding System [@ogbornEstuaryBrowserbasedCollaborative2017], and proved to be a solid choice for handling samples in Strudel as well. We are however focused on working more directly with the Web Audio API to be able to integrate new features more tightly.
+WebDirt [@ogbornWebDirt2022] was created as part of the Estuary Live Coding System [@ogbornEstuaryBrowserbasedCollaborative2017], and proved to be a solid choice for handling samples in Strudel as well. We are however focused on working more directly with the Web Audio API to be able to integrate new features more tightly.
 
-Using the OSC protocol via Strudel's provided Node.js-based OSC proxy server, it is possible to send network messages to trigger events. This is mainly used to render sound using SuperDirt [@SuperDirt2022], which is the well-developed Supercollider-based synthesis framework used by Tidal live coders as standard.
+Using the OSC protocol via Strudel's provided Node.js-based OSC proxy server, it is possible to send network messages to trigger events. This is mainly used to render sound using SuperDirt [@rohrhuberSuperDirt2022], which is the well-developed Supercollider-based synthesis framework used by Tidal live coders as standard.
 
-Recently, the experimental integration of Csound proved to bring a new dimension of sound design capabilities to Strudel. Thanks to the WebAssembly distribution of this classic system [@CsoundWebAssembly], Csound 'orchestra' synthesisers can be embedded in and then patterned with Strudel code.
+Recently, the experimental integration of Csound proved to bring a new dimension of sound design capabilities to Strudel. Thanks to the WebAssembly distribution of this classic system [@yiWebAssemblyAudioWorkletCsound2018], Csound 'orchestra' synthesisers can be embedded in and then patterned with Strudel code.
 
 MIDI output can also be used to send MIDI messages to either external instruments or to other programs on the same device. Unlike OSC, Strudel is able to send MIDI directly without requiring additional proxy software, but only from web browsers that support it (at the time of writing, this means Chromium-based browsers).
 
@@ -236,7 +236,7 @@ Other convenient features like pseudo variables, operator overloading and top le
 
 While the transpilation allows us to express patterns in JavaScript in a less verbose way, it is still preferable to use the mini-notation as a more compact way to express rhythm. Strudel aims to provide the same mini-notation features and syntax as used in Tidal.
 
-The mini-notation parser is implemented using `peggy`, which allows generating performant parsers for Domain Specific Languages (DSLs) using a concise grammar notation. The generated parser turns the mini-notation string into an AST which is used to call the respective Strudel functions with the required structure. For example, `"c3 [e3 g3]*2"` will result in the following calls:
+The mini-notation parser is implemented using `peggy` [@majdaPeggy2023], which allows generating performant parsers for Domain Specific Languages (DSLs) using a concise grammar notation. The generated parser turns the mini-notation string into an AST which is used to call the respective Strudel functions with the required structure. For example, `"c3 [e3 g3]*2"` will result in the following calls:
 
 ```js
 seq(
@@ -441,7 +441,7 @@ The project is still young, with many features on the horizon. As general guidin
 2. consistent with Tidal's approach to pattern
 3. modular and extensible
 
-While Haskell's type system makes it a great language for the ongoing development of Tidal's inner representation of pattern, JavaScript's vibrant ecosystem, flexibility and accessibility makes it a great host for more ad-hoc experiments, including interface design. For the future, it is planned to integrate additional alternative sound engines such as Glicol [@lanChaosprintGlicol2022] and Faust [@FaustProgrammingLanguage2022]. Strudel is already approaching feature parity with Tidal, but there are more Tidal functions to be ported, and work to be done to improve compatibility with Tidal's mini-notation. Tidal version 2.0 is under development, which brings a new representation for sequences to its patterns, which will then be brought to Strudel. Besides sound, other ways to render events are being explored, such as graphical, and choreographic output. We are also looking into alternative ways of editing patterns, including multi-user editing for network music, parsing a novel syntax to escape the constraints of JavaScript, and developing hardware/e-textile interfaces. In summary, there is a lot of fun ahead.
+While Haskell's type system makes it a great language for the ongoing development of Tidal's inner representation of pattern, JavaScript's vibrant ecosystem, flexibility and accessibility makes it a great host for more ad-hoc experiments, including interface design. For the future, it is planned to integrate additional alternative sound engines such as Glicol [@lanGlicol2023] and Faust [@orlareyFaustProgrammingLanguage2023]. Strudel is already approaching feature parity with Tidal, but there are more Tidal functions to be ported, and work to be done to improve compatibility with Tidal's mini-notation. Tidal version 2.0 is under development, which brings a new representation for sequences to its patterns, which will then be brought to Strudel. Besides sound, other ways to render events are being explored, such as graphical, and choreographic output. We are also looking into alternative ways of editing patterns, including multi-user editing for network music, parsing a novel syntax to escape the constraints of JavaScript, and developing hardware/e-textile interfaces. In summary, there is a lot of fun ahead.
 
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